Wednesday, 16 January 2013

Grandma's Magazine Rack



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Grandma's Magazine Rack


My Grandma sent me a letter a few months back asking if I could make her a magazine rack for her magazines and crossword puzzles. She drew me a rough picture with dimensions that would make it the right size for her chair. I forgot to take final pictures before I gave it to her, but this is what I have.


It is made of white oak. The legs are laminated and tapered. This was my first time hand chopping mortises and I learned a lot from it. I added a top (which wasn’t in her design) and she loved it. The most difficult part was figuring out where to place the hinges for the lids (they open outward) so that they wouldnt be an eyesore, but would still be functional. To do this, I again hand cut mortises on the outside top of each leg. The result is a smooth open, a hidden hinge, and a bonus lid stop (they hit the legs when fully opened). The rack also has a removable divider in the middle.


This was a first for many things: Designing and building from scratch, hand chopped mortises, resawing on the bandsaw and tapering legs.


Needless to say, she loves it and sent me pictures. All my grandad got was a pen.





Crafty Puzzles

Christmas 2011



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Christmas 2011


I just ran across these pictures of gifts from last Christmas. The first is a set of Gators cornhole boards that I made for my mom. The second is a few dowel puzzles that I gave to kids.





Crafty Puzzles

Tuesday, 15 January 2013

2011 Black Walnut Djembe and matching Cajon.



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2011 Black Walnut Djembe and matching Cajon.


——This one was made for a customer that requested a matching pair of instruments out of black walnut.

One was a traditional looking, rope-tuned djembe and the other called a cajon (ka-hone).

Cajons are box shaped intruments you sit on that simulate the snare and bass drums from a drumset. Very popular nowadays for beginners and professional musicians worldwide.


——This djembe was made using the combination of three different shapes machined to fit inside each other.

All are made from 16 staves about an inch thick.

The top is a cylinder, the middle and bottom are both cones.

Bottom fits inside middle,middle fits inside top.

I use polyurethane clearcoat in stages for a good penetrating finish.


——Once all the woodwork and finishing is done Then we get into a different game of bending stainless steel rings, tying up over 100 rope loops, soaking the goatskin, applying the drumhead and threading 100 feet of rope up through the top loops then down through the bottom ones…...then pulling 99 feet of rope through the top loops down through the bottom ones…..then pulling 98 feet of rope through the top….and so on…and so on….until Ive reached….ha…the end of my rope.

A beautiful (yet extremely time consuming) blend of woodwork,metalwork,taxidermy, and roping.

Most drums are around 25’’-28’’ tall and tend to have a 12’’-13’’ playing surface on top.


—-Cajons (box drums) have characteristics similar to speaker boxes I suppose. Typically a rectangular box 12×12x19 with a thin playing surface on the front. Inside, snare wires pressed gently up against the front panel to give it a buzz (or snare drum sound) when struck.

...look it up on youtube for some action footage.





Crafty Puzzles

Daily Sudoku: Wed 16-Jan-2013



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Daily Monster Sudoku: Wed 16-Jan-2013



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Daily Squiggly Sudoku: Wed 16-Jan-2013



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Liu Bolin, Once Again…



via Mighty Optical Illusions http://www.moillusions.com/2013/01/liu-bolin-once-again.html

This guy Liu slowly starts to annoy me… After I have finally managed to see him in each of his previous stunts, he does it all over again, presenting us with whole new set of photos from his latest performances. Not to mention he’s getting better with each blend! I guess we should be happy, but still… Time to roll-up our sleeves one more time, and exercise our awareness again. His newest #art installation is currently exhibited in Eli Klein, popular New York art gallery, and is titled “Hiding in The City“.


Liu Bolin, Once Again...



Each one chooses his or her path to come in contact with the external world. I chose to merge with the environment.” – Liu



Liu Bolin, Once Again... Liu was inspired to create his camouflage artworks after the Chinese government destroyed Beijing artist village Suo Jia Cun in 2005. where at the time, he had been working. The village housed Asia’s largest congregation of artists. Prompted by the demolition of the site, Liu decided to use his art as a means of silent protest, blending in with the chosen backdrops, explaining his performances as silent comment on individual’s position in the society.


Liu Bolin, Once Again...

Liu Bolin, Once Again...

Liu Bolin, Once Again... Here are couple more of Liu Bolin’s never before seen blend-ins. See if you can pinpoint him in each one. Which one did you like the most?


Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again... Liu Bolin, Once Again...

Crafty Puzzles